Born in Pavia, winner of various vocal competitions, Enrico Maria Marabelli made his operatic debut in Falstaff (Ford) in Como with Aslico. He has started a successful career performing in the most important international theatres, with a repertoire including Don Giovanni (Masetto; Avignon), Il barbiere di Siviglia (Bartolo; Berlin, Wexford), La forza del destino (Fra Melitone; Berlin), Falstaff (Ford; Bruxelles), L’elisir d’amore (Belcore; Berlin), La fille du regiment (Sulpice; Novara), Il viaggio a Reims (Antonio; Montecarlo, Genova, Wexford), La cambiale di matrimonio (Norton; Rossini Opera Festival in Pesaro), Le nozze di Figaro (Figaro; St. Gallen, Aix-en-Provence ), La scala di seta (Germano; Berlin), La sonnambula (Alessio; Bruxelles, Amsterdam), La pietra di paragone (Fabrizio; Montecarlo), Die Zauberflote (Papageno; Aix-en Provence, Lisboa), La boheme (Schaunard; Cagliari, Genova, Ancona), La cenerentola (Dandini; Aix-en-Provence), Il console (Assan; Torino), Mirandolina (Cavaliere di Ripafratta; Wexford), L’Arrighetto (Rossini Opera Festival in Pesaro). He collaborated with such conductors as Bruno Campanella, Nicola Luisotti, Enrique Mazzola, Kazushi Ono, Daniel Oren and Alberto Zedda. He opened the 2011/12 performing L’equivoco stravante in Basilea, followed by Cecchina, ossia la buona figliola at the Teatro Donizetti di Bergamo, Carmen at the Royal Opera House in Moscat (Omen), L’equivoco stravante at the Opera Royal de Wallonie de Liege and La furba e lo sciocco al Teatro San Carlo di Napoli. Among his future plans are L’equivoco stravante at Opera di St. Moritz, La boheme at the Concertgebouw in Amsterdam and La fanciulla del west all’Opera National de Paris. During the 2010/11 season he performed Il barbiere di Siviglia (Bartolo) at the Staatsoper in Berlin, The Merry Widow at the Teatro Filarmonico di Verona, Don Pasquale (Dottor Malatesta) at the Teatro Politeama in Lecce, La traviata (Germont) in Trapani. The past seasons has brought him to perform Il barbiere di Siviglia (Bartolo) at the Staatsoper in Berlin and at the Novaja Opera in Moscow, La boheme at the Teatro Lirico in Cagliari and at the Opera de Palma de Mallorca, La cambiale di matrimonio (Slook) in Malta, La cenerentola (Dandini) at the Caikovskij Hall in Moscow, La scala di seta at the Musikfestspiele in Potsdam and at the Deutsche Oper in Berlin, Falstaff (Ford) at the Monnai in Bruxelles and at the Teatro Lirico di Cagliari, Lucrezia Borgia at the Teatro Regio di Torino, Tosca (Sagrestano) and Madama Butterfly at the Festival Puccini in Torre del Lago, Tutti in maschera at the Wexford Festival Oper, Romeo et Juliette in Novara, Semyon Kotko at the Teatro Lirico in Cagliari, Il turco in Italia at the Theater an der Wien, Don Giovanni (Masetto) at the Theatre Municipal in Avignon, La forza del destino (Fra Melitone) and L’elisir d’amore at the Staatsoper in Berlin, Theatralisches Abenteuer and I finti filosofi at the Teatro Pergolesi di Jesi, Il viaggio a Reims (Antonio) and La pietra del paragone at the Opera in Montecarlo, Il Console at the Teatro Regio di Torino, La cambiale di matrimonio and L’Arighetto at the Rossini Opera Festival in Pesaro, La traviata at the Festival of Aix-en-Provence, Il viaggio a Reims and Prinzessin Brambilla at the Wexford Festival Opera, La sonnambula at La Monnaie in Bruxelles and at the Concertgebouw in Amsterdam. His repertoire also includes the roles of Maestro in Il maestro di cappella (Florence), Sharpless in Madama Butterfly (Torre del Lago Festival, Wiesbaden), Sprecher in Die Zauberflote (Aix-en-Provence, Lisbon), Ford in Falstaff (Milan), Bartolo in Il barbiere di Siviglia and Cavaliere di Rippafratta in Mirandolina (Wexford Opera Festival), Belcore in L’elisir d’amore (Opera Giocosa di Savona), Dandini in La cenerentola (Festival of Aix-en-Provence), Schaunard in La boheme (Cagliari and Genova), Masetto in Don Giovanni (Milan; staged by Daniele Abbado) and the leading roles in Gianni Schicchi and in Malipiero’s Tre commedie goldoniane (Circuito Lirico Regionale Lombardo).
